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Articles
Journal Articles (Refereed)
"Mobile technologies, collaborative practices," with Amitva Biswarin, Tom Donaldson and Barbara Crow, accepted for publication in Human Computer Interaction (May, 2006).
"C. Wright Mills: A Political Writer and his Fan Mail," Canadian Journal of Communications, Volume 26, No. 2 (Spring, 2002).
"Le genre, le genie et le mythe de l'intellectuel solitaire: les etudes culturelles feministes et les ecrits de C. Wright Mills," Recherches feministes vol. 13, no. 2 (juin, 2001).
"C. Wright Mills and the Making of the Cultural Apparatus," American Sociologist (Spring, 2001).
"Le marketing du corps: les couches jetables," Sociologie et sociétés, vol. XXIV, no. 1 (printemps, 1992).
"Marketing Health care and the Bioapparatus," Bioapparatus, Nell Tenhaaf and Catherine Richards (Banff: Walter Phillips Gallery, 1991).
"Towards a Feminist Critique of Rock Music: Patti Smith's Gloria ," Atlantis: a women's studies journal (Spring, 1989).
"A Tale of Inscription/Fashion Statements," Canadian Journal of Political and Social Theory (Winter, 1987). Reprinted in Body Invaders, Arthur and Marilouise Kroker, eds. (Montréal: New World Perspectives, 1987)
Journal Articles (non-refereed)
"Cell Skins: Marit-Saskia Wahrendorf's Tactile Fabrications for Cell Phones," wi, vol 2.1. 2007. With Barbara Crow.
"Sorting it out at the Salvation Army: participant blogservation and social class" Public, Spring, 2006.
"Parables of a biotourist,' horizon zero, Banff New Media Institute, January, 2003
"Charged heart: the electronic art of Catherine Richards,' horizon zero, Banff New Media Institute, January, 2003
"Out of Step: Cathy Sisler's Risky Deviations," inversions, (Fall, 1998), 12-21.
"Biological, not Determinist: Nell Tenhaaf's Technological Mutations," Parachute (June, 1994).
"Audio Terror: Low Level Flights over Nitassinan," Public ( Spring, 1991).
"Shifting Fields: the work of Don Proch within the context of Canadian colonialism," Provincial Essays, vol. 8 (1989).Reprinted in Sightlines, Lesley Johnstone and Jessica Bradley, eds. (Montréal: Artexte, 1994). French translation, Réfractions, Artetexte, 1998.
"Telemarketing and the Disembodied Voice," Borderlines (Winter, 1987-88).
Catalogue Essays
"Uncanny figures and mean bodies: nicola feldman-kiss," in nichola feldman-kiss, mean bodies (Ottawa: Carleton University Art Gallery, 2007)
"Memory and Radio: Katarina Soukup" (Montreal: studioXX, 1999).
"Facing Death," Patrick Traer (Regina: Dunlop Art Gallery, 1998)
"Skin Notwithstanding, "Reva Stone and Richard Dyck (Calgary: Muttart Gallery, 1997)
"Auricle Interchange," Ken Gregory and Janet Cardiff, (Calgary: Muttart Gallery, 1997)
"Biotourism: travels in Inner Space" Disembodied Mind, (Toronto: Interacess, 1997.)
"Turbulent Matter/s," Transmission:Galerie La Centrale: 1995-96 (Montreal: La Centrale, 1996)
"Enlightened Visions, Somatic Spaces: imaging the interior in art and medicine," Rx: Taking our Medicine (Kingston: Agnes Etherington Art Centre, 1995)
"Antoinette Herival's Prairie Carnivalesque," (Regina: Rosemont Art Gallery, 1992).
"Painting the Double Standard, " Grace Rose Klatt: The Anti-Romantic (Regina: Dunlop Art Gallery, 1991).
Reviews
Distant Suffering: Morality, Media and Politics, Luc Boltanski (Cambridge England: Cambridge UniversityPress, 1999), Canadian Journal of Communications (2002)
No Logo, Naomi Klein, (Toronto: Alfred A. Knopf Canada, 2000) Canadian Journal of Communications, 2001.
Gender and Discourse, ed. Ruth Wodak (Newbury Park: Sage, 1997), Canadian Journal of Communications, 1999.
"Charged Hearts, Catherine Richards at the National Gallery," Parachute, (spring, 1998)
Morgan Elliot, "Wired Women," DoubleX, http://www. internauts.ca/~studioxx
Ingrid Bachman and Barbara Layne, "Fault Lines: measure distance place,"
Parachute, (spring, 1996)
"Post-panoptic Mirror Worlds: an extended review of David Gelertner's Mirror Worlds: or the day software puts the universe in a shoebox," Canadian Journal of Political and Social Theory (summer, 1993).
"Celeste Olalquiaga, Megalopolis: Contemporary Cultural Sensibilities," Parachute, 67 (fall, 1992).
"Denise Hawrysio: Galérie Articule," Parachute, 66 (summer, 1992).
"Whose Comfort?" Blackflash (Autumn, 1991).
"Entre le Corps et la Matière," Espace (Spring, 1990).
Conference Proceedings
(with Barbara Crow) "Some Canadian Feminists Intervene in the Datasphere," Proceedings: Telecommunites '95: Equity on the Internet (Victoria: University of Victoria, 1995).
Notes, Commentary, and Interviews
"Materiality, Memory Machines and the Archive as Media," Old Messanger, New Media, Government of Canada, 2007. http://www.collectionscanada.ca/innis-mcluhan/
"Bye, Bye Barbara," (1996) DoubleX, http://www. internauts.ca/~studioxx
"Sentimental Histories," (1995) DoubleX, http://www. internauts.ca/~studioxx
"Dirty Money," (1995) DoubleX, http://www. internauts.ca/~studioxx
"Audiences, Blockbusters and Communities", Four Documentations (Regina: Regina Works Project, 1992).
"Unleashing the Demons of History: An Interview with Guillermo Gómez-Peña and Coco Fusco," Parachute, 66 (summer, 1992).
"Noise and the Acoustic Environment: an interview with Hildegard Westerkamp," Sub-rosa (summer, 1992).
(with Julia Emberley) "The Seam of the Double Bind," Impulse (summer, 1987).
Working Papers
"Power/Knowledge/Capital: The Bovey Commission and Educational Policy in Ontario," Social and Political Thought Working Papers, no. 2 , The Politics of the University, George Free, ed. (April, 1986).
